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And so I eat with Madoc one final time. I pinch some color into my cheeks and rake back my hair into a fresh braid. And if I am particularly kind that evening, particularly deferential, if I laugh particularly loudly, it is because I know I will never do this again. I will never have him behave like this with me again. But for one final night, he’s the father I remember best, the one in whose shadow I have—for better or worse—become what I am.
The Queen of Nothing (The Folk of the Air, #3)
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