Actually the music is not just in the gaps any more than it is just in the notes: it is in the whole that the notes and the silence make together.
The wholeness made of opposites or meaning found in the interactions between the diad also point to the inefficiency of language, which relies on the defined being that wshich it defines and not being that which it doesnt.
In this way music, imagery and drama embrace the wholeness of duality whilst language (written especially but also non-figurative spoken language) rests on one side of the binary. It aknowledges the other by excluding it in the haze of the infinite of the undefined.
