Plato’s proscriptions on music, like so much else about his Republic, remind one of a Soviet-style totalitarian state. There is no need of a wide harmonic range; most rhythms and modes are outlawed; flutes, harps and ‘harpsichords’ are banned, as are all ‘dirges and laments’; and there will be need only of two kinds of music, the kind that encourages civil orderliness, and the kind that sternly encourages us to war.133 All has been reduced to utility in the service of the will to power.
