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I was going for the devious smile that would suddenly light up his face each time he’d read my mind, when all I really wanted was skin, just skin.
I liked how our minds seemed to travel in parallel, how we instantly inferred what words the other was toying with but at the last moment held back.
To think that I had almost fallen for the skin of his hands, his chest, his feet that had never touched a rough surface in their existence—and his eyes, which, when their other, kinder gaze fell on you, came like the miracle of the Resurrection. You could never stare long enough but needed to keep staring to find out why you couldn’t.
They are embossed on every song that was a hit that summer, in every novel I read during and after his stay, on anything from the smell of rosemary on hot days to the frantic rattle of the cicadas in the afternoon—smells and sounds I’d grown up with and known every year of my life until then but that had suddenly turned on me and acquired an inflection forever colored by the events of that summer.
I liked it when our feet were aligned, left with left, and struck the ground at the same time, leaving footprints on the shore that I wished to return to and, in secret, place my foot where his had left its mark.
We were—and he must have recognized the signs long before I did—flirting.
P.S. We are not written for one instrument alone; I am not, neither are you.
Two words from him, and I had seen my pouting apathy change into I’ll play anything for you till you ask me to stop, till it’s time for lunch, till the skin on my fingers wears off layer after layer, because I like doing things for you, will do anything for you, just say the word, I liked you from day one, and even when you’ll return ice for my renewed offers of friendship, I’ll never forget that this conversation occurred between us and that there are easy ways to bring back summer in the snowstorm.
But I was so spellbound that I wrenched myself free from his touch, because a moment longer and I would have slackened like one of those tiny wooden toys whose gimp-legged body collapses as soon as the mainsprings are touched.
It never occurred to me that what had totally panicked me when he touched me was exactly what startles virgins on being touched for the first time by the person they desire: he stirs nerves in them they never knew existed and that produce far, far more disturbing pleasures than they are used to on their own.
after heeding the words I’d been rehearsing for days now, Please, don’t hurt me, which meant, Hurt me all you want.
Here was someone who lacked for nothing. I couldn’t understand this feeling. I envied him.
That foot in the water—I could have kissed every toe on it. Then kissed his ankles and his knees. How often had I stared at his bathing suit while his hat was covering his face? He couldn’t possibly have known what I was looking at.
How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
“Go back to your plunking, will you!” he said as though crumpling a towel and throwing it at my face. I even liked the way he told me off.
all these are forever impressed on those mornings when all I prayed for was for time to stop. Let summer never end, let him never go away, let the music on perpetual replay play forever, I’m asking for very little, and I swear I’ll ask for nothing more.
How is it that some people go through hell trying to get close to you, while you haven’t the haziest notion and don’t even give them a thought when two weeks go by and you haven’t so much as exchanged a single word between you? Did he have any idea? Should I let him know?
“Sometimes the only way to understand an artist is to wear his shoes, to get inside him. Then everything else flows naturally.”
I would have touched, caressed, worshipped that scrape.
“Do I like you, Oliver? I worship you.”
When we returned to the bookshop, we left our bikes outside and went in. This felt special. Like showing someone your private chapel, your secret haunt, the place where, as with the berm, one comes to be alone, to dream of others. This is where I dreamed of you before you came into my life.
“People who read are hiders. They hide who they are. People who hide don’t always like who they are.” “Do you hide who you are?” “Sometimes. Don’t you?”
that he repeated after me, softly at first, till he said, “Call me by your name and I’ll call you by mine,”
and yet neither had anything to do with the other except through Elio, who happened to be one and the same person.
Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a “crime” to block away so much sunlight and keep such a landscape from view, especially when you didn’t have it all life long, he said.
Shame trailed instant intimacy. Could intimacy endure once indecency was spent and our bodies had run out of tricks?
Whom else would I ever be able to call by my name?
“I didn’t know what answer to give. I wanted to say, I want you as intermezzo. So I said, I want you as both, or as in between.
But what a solace to have my head held, what selfless courage to hold someone’s head while he’s vomiting. Would I have had it in me to do the same for him?
the way. How you live your life is your business. But remember, our hearts and our bodies are given to us only once. Most of us can’t help but live as though we’ve got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there’s only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there’s sorrow. I don’t envy the pain. But I envy you the pain.”
If I were to punctuate my life with the people whose bed I shared, and if these could be divided in two categories—those before and those after Oliver—then the greatest gift life could bestow on me was to move this divider forward in time.
Time makes us sentimental. Perhaps, in the end, it is because of time that we suffer.
If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name.