When I was a child I couldn’t write fiction because I wrote things to go well for my characters—just like I wanted things to go well in real life. Which I was cured of by Orson Scott Card: Oh, I said to myself, that’s what I’ve been doing wrong, my characters aren’t hurting. Even then, I didn’t realize that the microstructure of a plot works the same way—until Jack Bickham said that every scene must end in disaster. Here I’d been trying to set up problems and resolve them, instead of making them worse . . .
