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But each time that she avoided George it became more imperative that she should avoid him again. And now celestial irony, working through her cousin and two clergymen, did not suffer her to leave Florence till she had made this expedition with him through the hills.
Sigh. The more one tries to put someone out of mind, the greater a space he occupies in it. And if manifestation is real, or even if perception is reality, this means he has a greater presence in one's life.
“It does indeed!” cried Miss Lavish. “Tell me, where do they place the scene of that wonderful seventh day?” But Mr. Eager proceeded to tell Miss Honeychurch
Oh, I seee. Mr. Eager hates Miss Lavish because seeing her is like looking in a mirror. Both criticize the vapid, superfical "Anglo-Saxon tourist." Both are Anglo-Saxon tourists who like to think of themselves as better or different than the rest
“Leave them alone,” Mr. Emerson begged the chaplain, of whom he stood in no awe. “Do we find happiness so often that we should turn it off the box when it happens to sit there? To be driven by lovers—A king might envy us, and if we part them it’s more like sacrilege than anything I know.”
“Signorina!” said the man to Lucy, when the display had ceased. Why should he appeal to Lucy? “Signorina!” echoed Persephone in her glorious contralto. She pointed at the other carriage. Why? For a moment the two girls looked at each other. Then Persephone got down from the box.
“It is not victory,” said Mr. Emerson. “It is defeat. You have parted two people who were happy.”
“Fifty miles of Spring, and we’ve come up to admire them. Do you suppose there’s any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both.”
promontory
Any one can find places, but the finding of people is a gift from God.
Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival.
Awww the good man. The Italian probably intentionally took her to George because he's one of the only "good men" in this party. What a cute misunderstanding
He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man. Persephone, who spends half her life in the grave—she could interpret it also. Not so these English.
If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity, which fructify every hour of life, burst forth in tumult.
If only this sincerity and enthusiasm were easier to access. It shouldn't take a near-death experience
The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that, even if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers, through miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.
She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all.
Such a special thing to have a confidante. Sometimes this is how I feel while considering how I might describe an event in my journal. But also (of course) to a good friend
toque,
plaintive.
“My only consolation was that you found people more to your taste, and were often able to leave me at home. I had my own poor ideas of what a lady ought to do, but I hope I did not inflict them on you more than was necessary. You had your own way about these rooms, at all events.” “You mustn’t say these things,” said Lucy softly.
She had worked like a great artist; for a time—indeed, for years—she had been meaningless, but at the end there was presented to the girl the complete picture of a cheerless, loveless world in which the young rush to destruction until they learn better—a shamefaced world of precautions and barriers which may avert evil, but which do not seem to bring good, if we may judge from those who have used them most.
This is really resonating with me rn. A week ago, I texted DH "Just like you'll lie by omission, you'll justify your own behavior by /inaction./ 'I didn't do something bad, so it must have been good.' Yeah, well, you didn't do something good either.
the most grievous wrong which this world has yet discovered: diplomatic advantage had been taken of her sincerity, of her craving for sympathy and love. Such a wrong is not easily forgotten.
“We mothers—” simpered Mrs. Honeychurch, and then realized that she was affected, sentimental, bombastic—all the things she hated most. Why could she not be Freddy, who stood stiff in the middle of the room; looking very cross and almost handsome?
Soon he detected in her a wonderful reticence. She was like a woman of Leonardo da Vinci’s, whom we love not so much for herself as for the things that she will not tell us.
Jesus Christ. He loves that she's dispassionate (and therefore mysterious)? Barf. She's reticent bc she likes someone else, you fool
“I have no profession,” said Cecil. “It is another example of my decadence. My attitude—quite an indefensible one—is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don’t care a straw about, but somehow, I’ve not been able to begin.”
Try the faults of Miss Honeychurch; they are not innumerable.” “She has none,” said the young man, with grave sincerity. “I quite agree. At present she has none.” “At present?” “I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad—too heroic, perhaps, to be good or bad.”
“It has broken now,” said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? “Broken? What do you mean?” “I meant,” said Cecil stiffly, “that she is going to marry me.”
Dear god. More like the string has been tightly spooled around Miss Bartlett's hand and the kite put away in the garage