Sean Noah

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Ben Marcus calls the best stories “stun guns,” says they hold you “paralyzed on the outside but very nearly spasming within.” Yes. Think of what we can do. Our hands (as I type I realize that once I’d have said hand, but now most writing takes two hands: curious) can hold a reader fixed, making her feel not her own time but the time we devise.
Meander, Spiral, Explode: Design and Pattern in Narrative
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