Near the plant was a cedar wall panel with a Japanese scene. Bell’s boa hung on a hook beside his film stills; blurry body gestures from a super-8 film Bell made years ago. There were lots of little things: the blue glass lamp, the leopard with eyes that glowed, empty wine bottles, brass goblets, postcards of Europe from former lovers, candles and incense on a special table with a linen cloth, along with Bell’s crucifixes, saints, Hindu gods, a GI Joe doll, obsidian voodoo beads, a dog’s skull and an African mask of an antelope.
