Tamera James

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was supposed to be finishing a hateful petit-point project, to keep my mind occupied—the design was a bowl of fruit suitable for being made into a footstool, intended for my future husband, whoever he might be. In one corner of the footstool square I embroidered a small skull: it represented the skull of my stepmother, Paula, but if anyone asked me about it I planned to say that it was a memento mori, a reminder of the fact that we must all die someday.
The Testaments (The Handmaid’s Tale, #2)
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