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bitterness will only poison you, not them.”
However, she amended her thought when she recalled that she was in the presence of a god who had spoken about yet another god, which would imply that the priest had been wrong about the Almighty One in heaven.
“I am Hun-Kamé, Lord of Shadows and rightful ruler of Xibalba,” he told her. “I thank you for liberating me and for the gift of your blood. Serve me well, maiden, and I shall see fit to reward you.”
“Do not sell him your soul and you’ll be fine,”
“Neither locks, nor wards, can keep a Lord of Xibalba out. Death enters all dwellings.”
“Power, embedded in the peninsula, radiating from it. There is much magic here. In other parts of the world the ancient gods have gone to sleep, for although gods do not die, they must slumber when their devoted cease in their prayers and offerings.
Dreamers and romantics like her father did not fare well,
Xibalba can be a frightful place, with its House of Knives and its House of Bats and many strange sights, but the court of the Lords of Death also possessed the allure of shadows and the glimmer of obsidian, for there is as much beauty as there is terror in the night.
“Chu’lel,” he said. “It is the sacred life force that resides around you. In the streams, in the resins of trees, in the stones. It births gods and those gods are shaped by the thoughts of men. Gods belong to the place where the chu’lel emanated and birthed them; they may not travel too far.
Like a furnace? she wondered. Did mortals sculpt the forms of gods? And if so, did those forms change? Or were gods inviolable, their visage, once imagined, forever remaining in its original shape?
“Now that I have my ear back I can listen to the voices of the psychopomp and the dead. Let us find a proper crossroad.”
It is not as if the gods do not express anger, envy, and desire. But these are like compartments that may be opened and closed with iron keys, and often the gods exist in a state of placid indifference.
But then, one must not expect tenderness of death.
“We could try to do this another way, which would involve having to get a shovel and see if we can find a suitable corpse at the cemetery, but when it comes to necromancy, I am guessing you prefer to keep it simple, especially since time is ticking.”
“Dreams are for mortals.” “Why?” “Because they must die.”
It was a new concoction, of the kind that abound in a Mexico happy to invent traditions for mass consumption, eager to forge an identity after the fires of the revolution—but
It all started with Eve and ended with Casiopea, according to him. Serpent, damn viper, that’s what she was.
there is none more fearful of thieves than the one who has stolen something,
He was always changing, a thousand tiny ripples, tiny tessellations and dark reflections.
“I dreamed you walked the Black Road of Xibalba,” he said. “I did not like this. It is a dangerous path. And I was glad when you woke me. It is not that I think you a coward, Lady Tun, it is that I wish you no harm.”
“I have not lied to you. Why should I deceive you now?”
“Gods move pieces across boards, young man. That is what you are now. Your grandfather was one piece, one move, in a series of moves. It’s your turn now, and it is an honor.” “It sounds like bullshit to me,”
“Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there’s power in the myth. Yes, the things you name have power,”
The things you name do grow in power, but others that are not ever whispered claw at one’s heart anyway, rip it to shreds even if a syllable does not escape the lips.
But what mattered was not the veracity of the story, but its power. The symbol. The hidden meaning. A woman and rebirth and the restoration of something lost. A vessel, a conduit through which everything is made anew.
“Blood is the oldest coin. Blood remains.”
The nature of hate is mysterious. It can gnaw at the heart for an eon, then depart when one expected it to remain as immobile as a mountain. But even mountains erode.
He’d fallen in love slowly and quietly, and it was a quiet sort of love, full of phrases left unsaid, laced with dreams.