The Guermantes Way: In Search of Lost Time, Volume 3
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the English revolving door.)
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the sight of a stranger incapable of disengaging himself from the rotating sheets of glass.
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As soon as he entered the big room he sprang lightly on to one of the red velvet banquettes that ran around its walls
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without the least hesitation Saint-Loup jumped nimbly
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over them like a horse in a steeplechase;
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and when Saint-Loup, having to pass behind his friends, climbed on the narrow ledge behind them and ran along it, balancing himself with his arms,
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Well, anyhow, go on to my Uncle Palamède’s afterward.
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I think he’s very eager to see you.
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Eleven o’clock; don’...
This highlight has been truncated due to consecutive passage length restrictions.
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But the emperor82 is out for peace.
Lloyd Thomas
Wrong, sadly. Proust knows WWI is on the way.
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Pure bluff, you know, like poker.
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You have only to think what a cosmic spectacle a war would be in these days.
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the movements of this light-footed course that Robert had pursued along the wall intelligible and charming as those of horsemen on a marble frieze.
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it has even been said that the highest praise of God consists in the denial of him by the atheist who finds creation so perfect that it can dispense with a creator.
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it was not merely a work of art that I was admiring in this young cavalier unfolding along the wall the frieze of his flying course;
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glimpses of ancient grandeur
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the cardinal truth that, unknown to the author, emerges from his investigations is the vacuity of that form of life),
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This translator was capable only of a mediocre book, if that book had been published as his original work.
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Given out as a translation, it seems that of a masterpiece.
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I had mentioned to M. de Guermantes that I was extremely eager to see his Elstirs.
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But once I was face to face with the Elstirs, I completely forgot about dinner and the time;
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like the luminous images of a magic lantern,
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Carpaccio
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the hospital, as beautiful beneath its sky of lapis lazuli as the cathedral itself,
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a hospital with no style is just as good as the glorious porch,”
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everything is equally precious;
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Their worth is all in the painter’s eye.”
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the fleeting fidelity of the shadows.
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especially as I had promised to be at M. de Charlus’s by eleven.
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Indeed I learned afterward that I had kept them waiting for nearly three-quarters of an hour.
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what I thought of his Elstirs.
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was given no clue to the identity of my unknown friend,
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In vain I struggled to identify the past experience common to herself and me to which her thoughts had been carried back.
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the Princesse de Parme
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reminds one not nearly so much of the charterhouse in which Fabrice ends his days as of the waiting room in the Gare Saint-Lazare.113
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(for nothing can alter antiquity of race and the world will always need oil),
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The other reason for the amiability shown me by the Princesse de Parme was more particular,
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one of the gentlemen of the party had been showing various signs of agitation: this was Comte Hannibal de Bréauté-Consalvi.
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in the enchanted syllables.
Lloyd Thomas
Grigri is not nearly as poetic as the Greek ruins at Agrigente
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the Guermantes, while living in the pure cream of aristocracy, affected to take no account of nobility.
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his hand, directed toward you
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appeared to be presenting a rapier at you for a single combat,
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it was difficult to distinguish whether it was yourself or his own hand that he was saluting.
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this choreography of the Guermantes ballet
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our cathedrals meant far less to a devout Catholic of the seventeenth century than they mean to an atheist of the twentieth,
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the biscuits of Reims.
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what the Duchesse de Guermantes valued above everything else was not intelligence;
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verbal variety of talent—wit.
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The odd part of it is that when she is imitating him she looks exactly like him!
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the wit of the Guermantes.