Magnus Bernhardsen

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After the fall of the Berlin Wall and especially since the late 1990s, the art market has not only tended to acquire a hegemonic status in contemporary art, but contemporary art has also become part of an expanded experience economy, where art has fused with cultural tourism, pop culture and gentrification. The explosion in the number of biennials and the erection of one more spectacular museum after another is the most visible expression of this development.
After the Great Refusal: Essays on Contemporary Art, Its Contradictions and Difficulties
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