From start to finish, the 2016 presidential race can best be understood as the political assertion of an unhappy and highly mobilized public. In the end, Trump was chosen precisely because of, not despite, his apparent shortcomings. He is the visible effect, not the cause, of the public’s surly and mutinous mood. Trump has been for this public what the objet trouvé was for the modern artist: a found instrument, a club near to hand with which to smash at the established order.