“Instead of trying to cover up the damage, the repair is illuminated, the imperfections transformed into a source of beauty. I’ve always seen kintsugi as a physical manifestation of mono no aware, the pathos of impermanence, the gentle awareness that everything, all of us, are fragile and transient, that change is the only constant, that we are, at our best, lovingly reconstructed patchworks of our shattered selves.”
