After the second miscarriage, she began to think that she really was a doll—stiff, unfeeling, incapable of producing life because she was not really alive. There were horror stories of Tsusano puppet masters, manipulating the blood in the bodies of others—dead and living—making them dance like dolls. Sometimes Misaki wondered if she had subconsciously become one of them, puppeting her own gutted body through each day.