Any narrative, even one that is scrupulously factual and deserving of the omniscient third-person voice of the journalist-historian, is subjective by nature. The lens through which events are seen inevitably colors how they are interpreted and presented. The story I have presented is an attempt to be factual and historical, to be guided by reporting and the testimony of key participants. Because I am inextricably connected to the New York Times, and during this time was managing editor, the second in command of the newsroom, the events that follow involved me in such a direct and personal way
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