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Kindle Notes & Highlights
by
Austin Kleon
Read between
November 28 - December 1, 2023
“None of us know what will happen. Don’t spend time worrying about it. Make the most beautiful thing you can. Try to do that every day. That’s it.”
We have so little control over our lives. The only thing we can really control is what we spend our days on. What we work on and how hard we work on it. It might seem like a stretch, but I really think the best thing you can do if you want to make art is to pretend you’re starring in your own remake of Groundhog Day: Yesterday’s over, tomorrow may never come, there’s just today and what you can do with it.
“Any man can fight the battles of just one day,” begins a passage collected in Richmond Walker’s book of meditations for recovering alcoholics, Twenty-Four Hours a Day. “It is only when you and I add the burden of those two awful eternities, yesterday and tomorrow, that we break down. It is not the experience of today that drives men mad. It is remorse or bitterness for something which happened yesterday or the dread of what tomorrow may bring. Let us therefore do our best to live but one day at a time.”
The creative journey is not one in which you’re crowned the triumphant hero and live happily ever after. The real creative journey is one in which you wake up every day, like Phil, with more work to do. “How we spend our days is, of course, how we spend our lives.” —Annie Dillard
To establish your own routine, you have to spend some time observing your days and your moods. Where are the free spaces in your schedule? What could you cut out of your day to make time? Are you an early riser or a night owl? (I’ve met very few people who love working in the afternoon.
Are there silly rituals or superstitions that get you in a creative mood? (I’m writing these words with a pencil, painted to look like a cigarette, dangling from my lips.)
What your daily routine consists of is not that important. What’s important is that the routine exists. Cobble together your own routine, stick to it most days, break from it once in a while for fun, and modify it as necessary.
“My hangovers are scheduled a year in advance.” —John Waters
Leonardo da Vinci made “to-learn” lists. He’d get up in the morning and write down everything he wanted to learn that day.
When I’m stuck in the morning and I don’t know what to write about in my diary, I’ll modify the pros-and-cons list. I’ll draw a line down the middle of the page, and in one column I’ll list what I’m thankful for, and in the other column, I’ll write down what I need help with. It’s a paper prayer.
All routines and to-do lists are aspirational. “You go diving for pearls,” said Jerry Garcia, “but sometimes you end up with clams.”
Every day is like a blank page: When you’re finished filling it, you can save it, you can crumple it up, or you can slide it into the recycling bin and let it be. Only time will tell you what it was worth.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
“The phone gives us a lot but it takes away three key elements of discovery: loneliness, uncertainty, and boredom. Those have always been where creative ideas come from.”
“There can be, and should be, a blissful, serene enjoyment in knowing, and celebrating, that there are folks out there having the time of their life at something that you might have loved to, but are simply skipping.”
The great artists are able to retain this sense of playfulness throughout their careers. Art and the artist both suffer most when the artist gets too heavy, too focused on results.
“You will find that you have already been gloriously rewarded for your poem. You have experienced becoming, learned a lot more about what’s inside you, and you have made your soul grow.” That, said Vonnegut, was the whole purpose of making art: “Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake.”
Making intentionally bad art is a ton of fun.
“God walks out of the room when you’re thinking about money.”
“It’s always good to have a hobby where there’s no way to monetize it . . . So follow your dreams, but right up to the point where they become your job, and then run in the other direction.”
“Not everything that can be counted counts, and not everything that counts can be counted.”
A stream count doesn’t equal an actual human being showing up to your live show and dancing.
When you ignore quantitative measurements for a bit, you can get back to qualitative measurements. Is it good? Really good? Do you like it? You can also focus more on what the work does that can’t be measured. What it does to your soul.
Make gifts for people—and work hard on making those gifts in the hope that those people will notice and like the gifts.”
“Attention is the most basic form of love,” wrote John Tarrant. When you pay attention to your life, it not only provides you with the material for your art, it also helps you fall in love with your life.
“Tell me to what you pay attention and I will tell you who you are.” —José Ortega y Gassett
But to be on brand is to be 100 percent certain of who you are and what you do, and certainty, in art and in life, is not only completely overrated, it is also a roadblock to discovery. Uncertainty is the very thing that art thrives on. The writer Donald Barthelme said that the artist’s natural state is one of not-knowing.
To have hope, you must acknowledge that you don’t know everything and you don’t know what’s going to happen. That’s the only way to keep going and the only way to keep making art: to be open to possibility and allow yourself to be changed.
“The world needs you at the party starting real conversations, saying, ‘I don’t know,’ and being kind.”
He suspected it had to do with the creative spirit, that connection you feel with another person you know is trying their best to bring new, beautiful things into the world.
“It’s the American view that everything has to keep climbing: productivity, profits, even comedy.” He felt we made no time for reflection. “No time to contract before another expansion. No time to grow up,” he said. “No time to learn from your mistakes. But that notion goes against nature, which is cyclical.”
Because gardening requires so much patience and attention, gardeners have a unique sense of time and perspective.
Whenever life gets overwhelming, go back to chapter one of this book and think about your days. Try your best to fill them in ways that get you a little closer to where you want to be. Go easy on yourself and take your time. Worry less about getting things done. Worry more about things worth doing. Worry less about being a great artist. Worry more about being a good human being who makes art. Worry less about making a mark. Worry more about leaving things better than you found them. Keep working. Keep playing. Keep drawing. Keep looking. Keep listening. Keep thinking. Keep dreaming. Keep
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