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unique. It almost seemed as though the prerequisite for creating art was to renounce art.
like Nietzsche’s texts Gombrowicz’s were descriptions of a path, not the path itself.
Fuck off, Karl Ove. You stupid little shit. I didn’t even reach Gombrowicz’s boot laces. The mere idea of saying something as honest and true about Norwegian literature anywhere near as honest as he did about Polish literature gave me a stomachache. Yes, my hands trembled at the very thought, that I could actually describe everything as it was. That all I had to do was just go ahead and do it.
Perhaps I could do that? If only I’d had a really profligate, sleazy past in the docklands of Buenos Aires, lived at the bottom like a crab, and gorged myself shamelessly on everything I came across,
oh ok, heres that question of : do you need to live a really weird life or be crazy to make art or say something profound about the world. what if you’re just a middle class father of two kids with a bad dead father. maybe thats what hes saying this whole time
“Karl Ove’s quite well known,” Linda said with a smile. Why did she say that? Jesus Christ, how foolish.
He repeated that you pay a one-time sum and you could be here for a few weeks every year. It was like buying a stake in an apartment or in a mountain cabin, he said with a smile to me. No maintenance, no cleaning, everything taken care of, so we could have a luxury holiday every year for the rest of
“Me too,” Linda said. “Imagine you actually considering buying a time-share!” “Yes, it’s unbelievable. But the worst is that I didn’t catch on. I didn’t get what was happening until afterwards! But you did, right?”
We decided never to go on such a vacation again,
it was like an augury.
Happiness isn’t in my nature, but happy was how I felt.
The darkness seemed to hover in the air, which became grayer and dimmer by the minute as stars appeared in the sky one after the other, hesitantly, a little shyly, as though they didn’t really trust the memory of how they had shone the previous night, proud and firm and minerally unforgiving. But, bit by bit, the memory came back to them and soon the whole of the now black sky was full of sparkling lights.
Leopold has nothing of Stephen’s yearnings and aspirations, he doesn’t want anything else, he’s at home. Leopold is a complete person, Stephen Dedalus an incomplete person. Only Stephen can create, for to create is to want everything, to create is to want to come home, and the whole person doesn’t feel that unrest, that urge, those yearnings.
Hamlet, Stephen, Jesus, Kafka, Proust were all sons, not fathers.
A friend of Linda’s had given us the use of her apartment, which the children reduced to bedlam within seconds.
Ingrid Elam had said, “I don’t think much of this,” which was a mark of quality for me.
I looked down, not wishing to intrude on their grief.
It was half past three, I went down to the kitchen and made some coffee, went up to the loft in the other house and started writing.
in which the fourth book, which has just come out here, is reviewed. I skim-read it when I came home. Bo Bjørnvig had written it. He said that for the first time in the series I hadn’t been quite honest, and this was noticeable throughout the novel. A slightly false note, he said. I hadn’t thought about the novel since I wrote it, but when I read that comment, it came back, and I knew that what Bjørnvig wrote was true. I had not been honest in that book.
theme, I wrote the truth by committing to the novel; in the first two books I wrote the truth by committing to reality. In Book 3 this link is weaker, only to fall away entirely in Book 4. However, everything I said about myself was true.
This is not an excuse, and this is not my way of saying Book 4 is a poor novel, it is still full of the terrible banality and vigor of youth, it is a comedy of immaturity, and despite being conventional it is inimitable, for the simple reason that it arose under precisely the conditions it did. But it is not the truth.
though I would never write a biography about anyone for as long as I lived,
The world was a river of impressions and I was connected to them, that was how it felt, everything had significance, I could examine an acorn for ten minutes as though it contained the secret of the universe, which it did, that was why I stared at it.
“Well, we are,” Yngve said in Norwegian. “Are what?” “Rar, strange,” he said. “Rar in Swedish means nice,” I said.
After reading Proust it was impossible not to see such an old theater as an underwater scene, a kind of coral reef with mussels or shells for seats and fishtails or jellyfish tentacles for women’s dresses.
everyone repaired to a big Irish pub nearby.
I occasionally answered a question from the others, that was how life had become, I was someone you asked questions.
Giske. I’d understood that the only way of managing was to act as if this didn’t mean a thing, as if you were completely uncorrupted, while inside you were thrilled by the meeting and hoped someone would notice.
The sky was gray and wintry, and the people I saw along the road, some kids on bikes and a woman pushing a stroller and carrying a heavy Co-op bag, were not in contact with it, the way crabs are not in contact with the surface of the sea,
i wonder how he avoids coming off as too narcissicst, or exceptional, like he never claims to be the only one who feels this way or sees the world in this detail
The problems started again with Book 4. Instead of using authentic names and sending the manuscript to individuals, I used made-up names and just forged ahead with publication, I couldn’t face another storm. But still people were angry. I wrote Book 5 in eight weeks, by then I really didn’t give a damn,
I had asked my mother not to read Book 3. After reading the second book she had texted me to say that it hurt to be demeaned. After reading Book 4 she called me and was as angry as she could be.
If there were a choice between couples therapy and death, I would unhesitatingly choose death. I
the whole way I will revel in, truly revel in, the thought that I am no longer a writer.