Origin (Robert Langdon, #5)
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“Well, science and religion are not competitors, they’re two different languages trying to tell the same story. There’s room in this world for both.”
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“Bone conduction technology. The transducers drive sound directly into the bones of your jaw, allowing sound to reach your cochlea directly. I tried it earlier, and it’s really quite amazing—like having a voice inside your head. What’s more, it leaves your ears free to have outside conversations.”
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The site is marked by a Tree of Life—a metal sculpture depicting a weeping willow whose leaves are each inscribed with the name of a victim.
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The irony of the symbolism struck Langdon. I suspect Edmond will be diverging dramatically from the norm this evening.
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At MIT, a recent exhibit of highly accomplished algorithmic art had put an awkward spin on the Harvard humanities course: Is Art What Makes Us Human?
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Langdon watched the attendee counter with amazement. It seemed to be climbing faster than the U.S. national debt, and he found it nearly impossible to fathom that close to three million people were sitting at home at this very moment watching a live stream of what was about to happen in this room.
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“My friends,” Edmond now whispered, “I have made many predictions in my life. And I am going to make another one tonight.” He took a long slow breath. “The age of religion is drawing to a close,” he said, “and the age of science is dawning.”
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They will prove nothing except that we viewers will watch anything if it’s sufficiently hyped.
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