“I don’t think we often had a plan,” concedes Pruitt, who was asked to make sense of a paltry set of instructions while filming at Alcatraz. “I just think [the creative team] were kind of running out of their hip pocket, so to speak, and that was kinda scary. In the case of Piper at Alcatraz, they wanted us to film him leaving the cell and running outside to a boat - all in one shot. Well, that’s impossible.”
