As one American eyewitness described the scene, he “stood like an athlete waiting for the starting pistol.” Then he would run down the slope and into the wind. Hanging on as the wind lifted him from the ground, he would swing his body and legs this way or that—as his means of balancing and steering—glide as far as possible and land on his feet. Lilienthal also had himself repeatedly photographed in action, something no gliding enthusiast had yet done. With advances in the technology of photography, the dry-plate camera had come into use. Reproduction of photographic half-tones had also been
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