The program itself was designed to appeal to the black visitors on two levels. First was an emphatic call for social justice, as exemplified by King’s life and career. But religion itself had to be integral, and not the relatively sterile worship common to white, Protestant churches. The presence of God must be felt in entertaining form, and Jones knew the most dramatic approach. It was time again for healings, done on a visual scale far beyond the occasional laying on of hands or prophesizing that Jones had limited himself to since the Temple relocation to Redwood Valley. To this end, he
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