I don’t know what to say. I know, as we drive through the long, lonely roads of this country—a landscape that I am seeing for the first time—that what I see is not quite what I see. What I see is what others have already documented: Ilf and Petrov, Robert Frank, Robert Adams, Walker Evans, Stephen Shore—the first road photographers and their pictures of road signs, stretches of vacant land, cars, motels, diners, industrial repetition, all the ruins of early capitalism now engulfed by future ruins of later capitalism. When I see the people of this country, their vitality, their decadence, their
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