As for Film-making and Video Arts, who needed them? Anyone with a computer could splice together whatever they wanted, or digitally alter old material, or create new animation. You could download one of the standard core plots and add whatever faces you chose, and whatever bodies too. Jimmy himself had put together a naked Pride and Prejudice and a naked To the Lighthouse, just for laughs, and in sophomore VizArts at HelthWyzer he’d done The Maltese Falcon, with costumes by Kate Greenaway and depth-and-shadow styling by Rembrandt. That one had been good. A dark tonality, great chiaroscuro.
