Oryx and Crake (MaddAddam, #1)
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Read between March 30 - April 24, 2024
27%
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It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he’d single out, putting his mouth on them. Was it consolation he’d had in mind, kissing the wound to make it better?
45%
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If we could only pair-bond for life, like gibbons, or else opt for total guilt-free promiscuity, there’d be no more sexual torment.
50%
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As for Film-making and Video Arts, who needed them? Anyone with a computer could splice together whatever they wanted, or digitally alter old material, or create new animation. You could download one of the standard core plots and add whatever faces you chose, and whatever bodies too. Jimmy himself had put together a naked Pride and Prejudice and a naked To the Lighthouse, just for laughs, and in sophomore VizArts at HelthWyzer he’d done The Maltese Falcon, with costumes by Kate Greenaway and depth-and-shadow styling by Rembrandt. That one had been good. A dark tonality, great chiaroscuro.
60%
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These things are not real. They are phantasmagoria. They were made by dreams, and now that no one is dreaming them any longer they are crumbling away.
68%
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Or he’d watch the news: more plagues, more famines, more floods, more insect or microbe or small-mammal outbreaks, more droughts, more chickenshit boy-soldier wars in distant countries. Why was everything so much like itself?
70%
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He remembered himself as carefree, earlier, in his youth. Carefree, thick-skinned, skipping light-footed over the surfaces, whistling in the dark, able to get through anything. Turning a blind eye. Now he found himself wincing away.
81%
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“Immortality,” said Crake, “is a concept. If you take ‘mortality’ as being, not death, but the foreknowledge of it and the fear of it, then ‘immortality’ is the absence of such fear. Babies are immortal. Edit out the fear, and you’ll be …”
93%
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They understood about dreaming, he knew that: they dreamed themselves. Crake hadn’t been able to eliminate dreams. We’re hard-wired for dreams, he’d said. He couldn’t get rid of the singing either. We’re hard-wired for singing. Singing and dreams were entwined.
94%
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To reassure them, he tried his best to appear dignified and reliable, wise and kindly. A lifetime of deviousness came to his aid.