Dynasty: The Rise and Fall of the House of Caesar
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‘Nature produced him, in my opinion, to demonstrate just how far unlimited vice can go when combined with unlimited power.’4 Such was the obituary delivered on him by Seneca, a philosopher who had known him well.
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‘These are the objects of my prayers. A plot of land – not so very large. A garden, a spring beside the house, its water ever-flowing, and a small wood on a slope.’
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Whether cheering on boxers in back streets, sporting a battered sunhat or roaring with laughter at the sight of a hunchback, Imperator Caesar Augustus retained just a hint of the provincial. None of which did him any harm among the mass of the Roman people. It gratified them to think of the Princeps as a man without airs and graces. Intimate personal details, carefully leaked, helped to cast him as a citizen of honest, simple tastes.
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man as promiscuous as Augustus was reputed to be seemed, to many citizens, lacking the self-control that was properly the mark of a Roman. Unchecked sexual appetites, while only to be expected in a woman – or, of course, a Greek – were hardly appropriate to a citizen steeled in the noblest traditions of the city. Energies devoted to sleeping around were better suited to serving the glory of the Roman people.
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Scolded for not emulating her father’s ostentatious frugality, she only laughed. ‘While he may forget that he is Caesar, I never forget that I am Caesar’s daughter.’
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Caesar himself, unsurprisingly, was not amused. When the Princeps declared that he had ‘two wayward daughters to put up with, Julia and the Roman Republic’,40 his tetchiness was laid revealingly bare.
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The kingdom of Armenia, a land of icy mountains, thick forests and notoriously effective poisons, lay sandwiched uncomfortably between the rival empires: too indigestible to be swallowed, too tasty to be left alone.
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Once, when an acquaintance of his youth attempted to remind him of times gone by, he cut the man off in mid-flow: ‘I do not remember what I was.’57 Much the same might have been said of the vanished Republic. The virtues and ideals to which Tiberius remained emotionally committed were no longer what they were – and Tiberius knew it. The last generation that remembered them as more than quaint anachronisms was inexorably passing away.
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The fate of Cremutius, destroyed because of what he had written about the past, offered to senators the glimpse of a terrifying future. It was one in which every bond of citizenship, every link of friendship, every web of favour and obligation, threatened a snare. A shared confidence at a dinner party, a snatch of conversation in the Forum: risk suddenly lurked everywhere. ‘To comment on anything was to risk prosecution.’69 Familiarity, in such a world, was a kind of infection.
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What they adored most of all, however, was the sheer blaze of his glamour. He might be prematurely balding, and possessed of large feet and his father’s spindly legs, yet Caligula knew how to thrill a crowd. The Roman people were bored of grim old men. Now at last they had an emperor who seemed to glory in living the dream. That summer, opening a new temple to Augustus, Caligula rode to the inauguration in a gilded triumphal chariot. Six horses pulled him. ‘This,’ so it was noted, ‘was something wholly cutting edge.’
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Unlike Tiberius, he did not feel the slightest embarrassment at the awesome scope of his power – and the discovery of how readily he had been able to dispose of his unwanted mentors only encouraged him to test its limits further still. No paying lip-service to the ideals of the vanished Republic for Caligula. They bored him – and he had no patience with being bored.
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For decades, secure within its chrysalis, protected by the cunningly crafted hypocrisies of Augustus and the superseded traditions so valued by Tiberius, a monarchy had been pupating; now, with the return of Caligula from war, it was ready to emerge at last, to unfurl its wings, to dazzle the world with its glory. No longer was there to be any place for the pretensions of the Senate – only for the bond between Princeps and people.
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As for Caligula himself, he remained on the pontoon; and when he had eaten and drunk enough, he amused himself by treating some of his companions much as he had done his uncle, and pushing them into the sea. Finally, determined that the celebrations not end in anticlimax, he ordered that some of the vessels where his men lay feasting be rammed. And as he watched the action, ‘so his mood was all elation’.
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On one occasion, brought a death warrant to sign, he sighed, then lamented with great theatricality that he had ever learned to write. ‘No chance did he miss, in short, to parade his generosity, his mercy and his graciousness.’4
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Seneca, when he imagined Roman ships powering their way to as yet undiscovered continents, did not necessarily approve. As a philosopher, he saw nothing to celebrate in perpetual motion. The prosperity that was the mark of a great empire was, in his opinion, a treacherous and soul-destroying thing, characterised by perpetual restlessness, and destined only to torment itself.
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Poppaea’s death, coming as it did so soon after the suppression of Piso’s conspiracy, had done nothing to calm Nero’s nerves. ‘No matter how many people you put to death,’ Seneca had told him in the wake of Agrippina’s murder, ‘you can never kill your successor.’
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Nero had penetrated to the heart of what it meant to be a Princeps. To rule as Caesar was to play a part.
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‘What an artist perishes with me.’112 So Nero, with his customary lack of modesty, had declared as he steeled himself to commit suicide. He had not exaggerated. He had indeed been an artist – he and his predecessors too. Augustus and Tiberius, Caligula and Claudius: each, in his own way, had succeeded in fashioning out of his rule of the world a legend that would for ever afterwards mark the House of Caesar as something eerie and more than mortal. Painted in blood and gold, its record would never cease to haunt the Roman people as a thing of mingled wonder and horror. If not necessarily ...more
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