Jiří Charvát

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lives. But if we were to look closely, we’d discover that they not only avoid negative emotions in movies, they avoid them in life. Such people think that happiness means never suffering, so they never feel anything deeply. The depth of our joy is in direct proportion to what we’ve suffered. Holocaust survivors, for example, don’t avoid dark films. They go because such stories resonate with their past and are deeply cathartic.
Story: Style, Structure, Substance, and the Principles of Screenwriting
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