Repetitiousness is the enemy of rhythm. The dynamics of story depend on the alternation of its value-charges. For example, the two most powerful scenes in a story are the last two act climaxes. Onscreen they’re often only ten or fifteen minutes apart. Therefore, they cannot repeat the same charge. If the protagonist achieves his Object of Desire, making the last act’s Story Climax positive, then the Penultimate Act Climax must be negative. You cannot set up an up-ending with an up-ending: “Things were wonderful… then they got even better!” Conversely, if the protagonist fails to achieve his
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