Jiří Charvát

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Drive actions deeply into the intimate relationships and inner lives of the characters. If the logic of your setting doesn’t allow you to go wide, then you must go deep. Start with a personal or inner conflict that demands balancing, yet seems relatively solvable. Then, as the work progresses, hammer the story downward—emotionally, psychologically, physically, morally—to the dark secrets, the unspoken truths that hide behind a public mask.
Story: Style, Structure, Substance, and the Principles of Screenwriting
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