William C Woodard

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Having done this, you then go back into the mind of the first character, and find your way to a new emotional truth by asking again: “If I were this character under these new circumstances, what would I do?” Finding your way to that reaction and action, you then step right out again, asking: “And what is the opposite of that?”
Story: Style, Structure, Substance, and the Principles of Screenwriting
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