Jiří Charvát

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heart in the same way. I really knew whole symphonies by heart. I knew where every instrument came in and went out and all their figures. I listened with great care, and without being able to read music I did feel I knew these pieces very well indeed. And as I say, the great thing about music is that it is nonreferential so it is completely uncontaminated by anything. Even as a child I scoffed at people whose association with music was always with some sort of sentimental event. You know, “They’re playing our tune.” That meant nothing to me. A Beethoven sonata was not connected with any ...more
Creativity: Flow and the Psychology of Discovery and Invention
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