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Bought for $2 on August 2, 2019 just because, and finally reading Part 1 in March 2023 for an Osher class with Álvaro Antonio Bernal, PhD (Pitt J-town).
First session: intro.
Second session: the first 10 chapters
Third session: chapters 11-20
Fourth session: chapters 21-31
Fifth session: Final chapters 32-52
The course will cover a variety of topics, including:
* Cervantes and the world of Don Quixote
* What makes Don Quixote so special?
* Spanish Golden Age
* The concept of Chivalric Romances
* Basic Literary concepts applied to the novel– Polyphony and Intertextuality
* The risk of translations
* The Spain of Don Quixote
* Exploring the meaning of some adventures
* The game of the authorship
* Indoor vs outdoor settings
* Fantasy, Dreams, and Decline
* Metafiction
* Humor
Fortunately (and sometimes unfortunately), everyone quickly realizes that Don Quixote is mad. E.g., “being crazy he would be absolved even if he killed them all.” p. 33
Proverb / proverbial - 85 of them
Terrible / O gawd
Sanchismos
The laws of chivalry
Metafiction - second author, lacunae in the text
Blame, always fins a way to blame
Sancho beats regularly, by DQ’s enemies, and by DQ
QUESTIONS:
Did Cervantes read Italian? (e.g., Ariosto - p. 47) YES:
https://doi.org/10.1017/CCOL0521663210.003
(Cambridge Companion to Cervantes, ch. 3 C. and the Italian Renaissance)
Relationship of Castilian to Spanish to Catalan to ?
Is there a “formal” or old-fashioned Spanish to suggest what English does with its “thee and thou” constructions when D.Q. is speaking formally? Note some folk, e.g., the innkeeper folk pp.111, 113, cannot understand him. Cf. DQ’s formalisms with Sancho p. 150 fn.4
It becomes a relief when an encounter does not end in violence. But meanwhile, I am compulsively drawn on to see how he gets out of one scrape and into another.
Despite the slow pacing and thematic repetitions, the adventures and conversations evince an imaginative fecundity worthy of L. Frank Baum and JRRT.
Marcela as feminist philosopher, ch.14 pp. 97-100
COMEDY OF ERRORS:
the fight at the inn, pp. 115
The flocks of sheep, pp. 125-131 concludes with projectile vomit
MOCK:
Chivalric romance
Egotistical gentry
sycophantic servants
Storytelling144
99 bottles of beer on the wall 146
Sancho mocks DQ’s rhetoric of courage, 150
RELIGION:
Roman Catholic - ritualistic and habitual; incantatory and magical; rhetorical and superstitious
Priests rarely permit themselves to go hungry p. 140
****
Occasional narrator’s (Cervantes) intrusions about what he’s reading in the translated “manuscript” and hence bound to include. E,g., pp. 129,
After being beaten soundly repeatedly, DQ still attacks, and when he does, Sancho says, “No doubt about it, this master of mine is as courageous and brave as he says.” p. 137
Nancy liked this
Bought In August 2019 and I’m glad to have it! Originally published in two parts, in 1605 and 1615, a simple farmer, Sancho Panza, as the squire, often employs a unique, earthy wit in dealing with Don Quixote's rhetorical monologues on knighthood, already considered old-fashioned at the time. Don Quixote, in the first part of the book, does not see the world for what it is and prefers to imagine that he is living out a knightly story.
While Part One was mostly farcical, the second half is more serious and philosophical about the theme of deception. Cervantes' meta-fictional device was to make even the characters in the story familiar with the publication of Part One, as well as with an actually published, fraudulent Part Two.
Read for class with Álvaro Antonio Bernal with Osher, March 14-April 11, 2023.
Satire:
Inquisition of books in the library scene pp. 45-54
Knights are more useful than priests, p. 88
Nancy liked this
For Unamuno, Alonso Quixano is the Christian saint, while Don Quixote is the originator of the actual Spanish religion, Quixotism.
When he ceases to assert his autonomy, there is nothing left except to be Alonso Quixano the Good again,
Nabokov is very illuminating on this in his Lectures on Don Quixote,
Why does Cervantes subject Don Quixote to the physical abuse of part I and the psychic tortures of part II?
Twelfth Night is comedy unsurpassable, and on the stage we are consumed by hilarity at Malvolio’s terrible humiliations.
When we reread the play, we become uneasy, because Malvolio’s socioerotic fantasies echo in virtually all of us.
Lucidity keeps breaking in, reminding him that Dulcinea is his own supreme fiction, transcending an honest lust for the peasant girl Aldonza Lorenzo.
Erich Auerbach
person begotten in a prison,
Tranquility,
that old legislator, the public,
lacking all erudition and doctrine,
Don Quixote should remain buried in the archives of La Mancha
Lamia,
preach to anyone, weaving the human with the divine, which is a kind of cloth no Christian intelligence should wear.
this work of yours intends only to undermine the authority and wide acceptance that books of chivalry have in...
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reading your history should move the melancholy to laughter, increase the joy of the cheerful, not irritate the simple, fill the clever with admiration for its invention, not give the serious reason to scorn it, and allow the prudent to praise it.
keep your eye on the goal of demolishing the ill-founded apparatus of these chivalric books,
the most chaste lover and most valiant knight seen in those environs for many years.
the great mass of inane books of chivalry.
gentleman from La Manch- whose idle reading of nov- caused him to lose his reas-:
Orlando Furio-,
AMADÍS OF GAUL
Our gentleman was approximately fifty years old;