More on this book
Community
Kindle Notes & Highlights
Started reading
July 22, 2025
“Reading,” Ead said lightly. “A dangerous pastime.” Truyde looked up at her, sharp-eyed. “You mock me.” “By no means. There is great power in stories.” “All stories grow from a seed of truth,” Truyde said. “They are knowledge after figuration.”
Art is not one great act of creation, but many small ones. When you read one of my poems, you fail to see the weeks of careful work it took me to build it—the thinking, the scratched-out words, the pages I burned in disgust. All you see, in the end, is what I want you to see. Such is politics.”
That is the problem with stories, child. The truth in them cannot be weighed.
“You have not seen death, my lord. You have only seen the mask we put on it.”
“In darkness, we are naked. Our truest selves. Night is when fear comes to us at its fullest, when we have no way to fight it,” Ead continued. “It will do everything it can to seep inside you. Sometimes it may succeed—but never think that you are the night.”
“Love and fear do strange things to our souls. The dreams they bring, those dreams that leave us drenched in salt water and gasping for breath as if we might die—those, we call unquiet dreams. And only the scent of a rose can avert them.”
“To be kin to a dragon,” Nayimathun said, “you must not only have a soul of water. You must have the blood of the sea, and the sea is not always pure. It is not any one thing. There is darkness in it, and danger, and cruelty. It can raze great cities with its rage. Its depths are unknowable; they do not see the touch of the sun. To be a Miduchi is not to be pure, Tané. It is to be the living sea. That is why I chose you. You have a dragon’s heart.”

