J. Edgar Hoover did not have these constraints. His power allowed him to manipulate the press and disclose secrets without consequence. And because his agents were old-school detectives, not technical wizards like Elizebeth, Hoover was able to frame the Invisible War in terms of instantly familiar images: disappearing inks, saboteurs, hidden cameras, police raids on clandestine radio stations, gumshoes in snap-brim hats. So this was the picture of the spy hunt that the public ended up receiving. They got Hoover’s story, not Elizebeth’s. Hoover made sure of it. In the fall of 1944, with the
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