Michael Anderson

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In a stained-glass window that adorned the Norfolk yard’s nondenominational chapel, someone had glued an image of a destroyer escort, cradled like a baby in the arms of Jesus Christ. The image struck somebody as sacrilegious and was removed. But the sentiment was surely genuine enough.
The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour
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