Chelsi (Moe)

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Seong-Jae was uncomfortable with his own body. That compact, efficient body language and those tight, controlled movements weren’t born of combat training or even some internal mental discipline. They were a reflection of a quiet, deep-seated insecurity that had probably lived in Seong-Jae since childhood, driving him to an economy of movement that was as unobtrusive as possible.
Junk Shop Blues (Criminal Intentions, #2)
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