Clayton

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You may not be Charles Dickens, but a well-wielded sentence fragment (or, as here, a passel of them) can be a delightful thing. That said, do wield your fragments with a purpose, and mindfully. I lately find them, particularly in fiction, too often used to establish a sort of hairy, sweaty, unbathed masculine narrative voice, and what they end up sounding like is asthma.
Dreyer’s English: An Utterly Correct Guide to Clarity and Style
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