The conventional wisdom of our rime is that European man has advanced by enormous strides since the age of cathedrals. He has landed on the moon. He has cured smallpox. He has harnessed the power in the atom. Another argument, however, might be made in the opposite direction, that all European man has accomplished in 900 years is a more complicated manipulation of materials, a more astounding display of his grasp of the physical principles of matter. That we are dazzled by mere styles of expression. That ours is not an age of mystics but of singular adepts, of performers. That the erection of
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