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“Eventually. And still … I don’t want to be put in a box. I want to do things that feed me. I want to surround myself with art and fascinating people and stimulating experiences … and beauty. I want to surprise myself.”
“He thinks you are beautiful and he thinks you are smart,” he’d surmised about Daniel, that first weekend I’d brought him to Boston, when we had been dating for seven months. “But he has no real appreciation for what you are passionate about, who you are on the inside.”
“I’m falling in love with you. I’m just going to put that out there, because I can. Because you told me I couldn’t if I was sleeping with anyone else, and I’m not, so there you have it…”
“It’s art. And it makes people happy. And that’s a very good thing. We have this problem in our culture. We take art that appeals to women—film, books, music—and we undervalue it. We assume it can’t be high art. Especially if it’s not dark and tortured and wailing. And it follows that much of that art is created by other women, and so we undervalue them as well. We wrap it up in a pretty pink package and resist calling it art.”
“I was just making sure it was you, and not the idea of you.”
Love, she said, was not always perfect, and not exactly how you expected it to be. But when it descended upon you, there was no controlling it.
“Love is this very precious thing, Izz. It’s this precious, magical thing. But it’s not finite. There’s not a limited amount of it out there. You just have to be open to allowing it to find you. Allowing it to happen.” I was not entirely sure that I believed this, but I needed her to.