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There may soon come a day when such a ship does not retreat, but turns the bright fire of its energy weapons on the fragile metal shell that contains thirty thousand lives, Tarats’s included, and spills them all into the killing chill of space like seeds from a smashed fruit. There is, Tarats believes, a kind of inevitability to empire unchecked.
“You’re really enjoying that, aren’t you,” said Three Seagrass. “When you can make a point of being uncivilized.” Mahit was, in fact. It was the only enjoyable part about being alone and alternately entranced and terrified by being surrounded by Teixcalaanlitzlim,
The Sunlit arrived like planetrise over the Station: slowly and then all at once, a distant intimation of gold shimmering through the occlusion of the City’s confining walls, which crept closer and closer before resolving into a platoon of imperial soldiers in gleaming body armor, a vision out of every Teixcalaanli epic Mahit had ever loved as a child and every dystopian Stationer novel about the horrors of the encroaching Empire.
It made her jealous in a way she recognized as childish: the dumb longing of a noncitizen to be acknowledged as a citizen. Teixcalaan was made to instill the longing, not to satisfactorily resolve it, she knew that. And yet it wormed into her every time she bit her tongue, every time she didn’t know a word or the precise connotations of a phrase.
she felt a distant kind of disgusted pity for the other woman: she’d been sent here by her government, and her government was newly a protectorate of Teixcalaan, and she was alone (like Mahit was alone—but Mahit wasn’t supposed to be alone), and being alone in Teixcalaan was like drowning in clear air.
Even as she walked further into the strange dim sanctuary of it, she peered upward, trying to understand how the birds didn’t fly up the funnel and escape into the vaulted Teixcalaanli sky—it was surely warm enough out there for them, though not nearly as sweet—not so many red flowers all at once. Perhaps succor was enough to keep a whole population trapped, willingly.
that no algorithm was innocent of its designers. It couldn’t be. There was an originating purpose for an algorithm, however distant in its past—a reason some human person made it, even if it had evolved and folded in on itself and transformed.
(She was getting used to the combination: that doubling, the strangeness of being grateful for something she should never have had to experience in the first place. Teixcalaan was full of it.)
They came to get us. They drove us through a riot. They brought us coffee and breakfast. The world functions as it ought to, and if I keep behaving as if it will continue to, nothing will go wrong. Mahit knew that line of thinking. She knew it intimately and horribly, and she sympathized (she sympathized too much, this was her essential problem, wasn’t it?), and Three Seagrass was still wrong.
<Nothing empire touches remains itself,> Yskandr murmured to her.
When Three Seagrass kissed her, Mahit opened up for her as if she was a lotus floating in one of the City’s gardens at dawn—slow, inexorable, like she had been waiting a long, long time through the night.
