To get the word out, Invisible Children started to organize small screenings in churches and on campuses. Think of these as mini-Sundances, where communities of people would come together around the movie to engage with it, discuss it, and—crucially—act on it, offering their voice, funds, and support. The screenings could not offer a huge blast of publicity, but they offered a different kind of value: deep connections to local audiences. For the next eight years, Invisible Children shaped and perfected this local model. They would typically have two “tours” a year, where they would debut a new
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