Calypso

by David Sedaris

I used to think the ideal name for a beach house was the Ship Shape. Now, though, I had a better idea. “We’re going to call it the Sea Section.”

As a business traveler, you’ll likely be met at your destination by someone who asks, “So, how was your flight?” This, as if there are interesting variations and you might answer, “The live orchestra was a nice touch,” or “The first half was great, but then they let a baby take over the controls and it got all bumpy.” In fact, there are only two kinds of flights: ones in which you die and ones in which you do not.

I didn’t need a fifteen-minute conversation, just some human interaction. It can be had, and easily: a gesture, a joke, something that says, “I live in this world too.” I think of it as a switch that turns someone from a profession to a person, and it works both ways.

The Supreme Court ruling tells every gay fifteen-year-old living out in the middle of nowhere that he or she is as good as any other dope who wants to get married. To me it was a slightly mixed message, like saying we’re all equally entitled to wear Dockers to the Olive Garden.

Opinions constantly shifted and evolved, were fluid the same way thoughts were. Ten minutes into The Exorcist you might say, “This is boring.” An hour later you could decide that it was the best thing you’d ever seen, and it was no different with people. The villain at three in the afternoon might be the hero by sunset. It was all just storytelling.

I refuse to support the poltergeist industry, so would sooner sleep in a cardboard box than at the Belle Grove Plantation or the Albert Shafsky House, or any of the other places listed in the Hundred Most Haunted Hotels and B&Bs in America, none of which is named the Scarriott for some reason.