The End of the Affair

by Graham Greene

That scar was part of his character as much as his jealousy. And so I thought, do I want that body to be vapour (mine yes, but his?), and I knew I wanted that scar to exist through all eternity. But could my vapour love that scar? Then I began to want my body that I hated, but only because it could love that scar. We can love with our minds, but can we love only with our minds? Love extends itself all the time, so that we can even love with our senseless nails: we love even with our clothes, so that a sleeve can feel a sleeve. Richard’s right, I thought, we have invented the resurrection of the body because we do need our own bodies, and immediately I admitted that he was right and that this was a fairy-tale we tell each other for comfort, I no longer felt any hate of those statues. They were like bad coloured pictures in Hans Andersen: they were like bad poetry, but somebody had needed to write them, somebody who wasn’t so proud that he hid them rather than expose his foolishness.