Yes, they show signs of the theological interests of the different evangelists: Matthew’s story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile.
The Gospels as historical art.
