Why the composition before them is bad, when others that lie open to the same charge are good, they do not hear. Much less do they learn of the two classes of men who are, respectively, above and below the danger of such writing—the man who really knows horses and really loves them, not with anthropomorphic illusions, but with ordinate love, and the irredeemable urban blockhead to whom a horse is merely an old-fashioned means of transport. Some pleasure in their own ponies and dogs they will have lost; some incentive to cruelty or neglect they will have received; some pleasure in their own
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