Louis suspected each of them, in his or her own way, was an exile—from bourgeois values, family crests, unhappy love affairs, childhoods too long spent in church pews. He wondered if they had started as social outcasts who found the artist’s life an acceptable way to be in the world; or if their passions for painting or sculpting or writing had shaped them into outsiders. He had never been quite sure how the chicken-versus-egg question played out in his own life.
