Ellie Richardson

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Lila, that is. Lila, as usual: Lila who doesn’t say things, she does them; Lila who is steeped in the culture of the neighborhood and takes no account of police, the law, the state, but believes there are problems that can be resolved only with the shoemaker’s knife; Lila who knows the horror of inequality; Lila who, at the time of the collective of Via dei Tribunali, found in revolutionary theory and action a way of applying her hyperactive mind; Lila who has transformed into political objectives her rages old and new; Lila who moves people like characters in a story; Lila who has connected, ...more
Those Who Leave and Those Who Stay (The Neapolitan Novels, #3)
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