Shakespeare did not suggest that a compensatory model—power as a substitute for sexual pleasure—could fully explain the psychology of a tyrant. But he held on to the core conviction that there is a significant relationship between the lust for tyrannical power and a thwarted or damaged psychosexual life. And he held on as well to the conviction that traumatic and lasting damage to a person’s self-image could be traced back to early experiences—to an adolescent’s fear that he is ugly, or to the cruel mockery of other children, or, even earlier in life, to the responses of nurses and midwives.
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