The question of survival among Black girls has always been about whether they are seen, and if so, how they are seen, particularly in economically and socially isolated spaces. Are they “background noise” in a larger view of urban life that prioritizes men and boys? Are they disruptive forces in the exploitation of Black communities? Are they loyal “ride-or-die chicks” who sacrifice their own safety and well-being in the name of love? Are they willing participants in their own oppression? Are they making a way out of no way at all? Are they good girls? Are they bad girls? These are not
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