Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again

by Rachel Held Evans

In the same way we automatically adjust our expectations when a story begins with “Once upon a time” versus “The Associated Press is reporting . . . ,” we instinctively sense upon reading the stories of Adam and Eve and Noah’s ark that these tales of origin aren’t meant to be straightforward recitations of historical fact. The problem isn’t that liberal scholars are imposing novel interpretations on our sacred texts; the problem is that over time we’ve been conditioned to deny our instincts about what kinds of stories we’re reading when those stories are found in the Bible. We’ve been instructed to reject any trace of poetry, myth, hyperbole, or symbolism even when those literary forms are virtually shouting at us from the page via talking snakes and enchanted trees. That’s because there’s a curious but popular notion circulating around the church these days that says God would never stoop to using ancient genre categories to communicate. Speaking to ancient people using their own language, literary structures, and cosmological assumptions would be beneath God, it is said, for only our modern categories of science and history can convey the truth in any meaningful way. In addition to once again prioritizing modern, Western (and often uniquely American) concerns, this notion overlooks one of the most central themes of Scripture itself: God stoops. From walking with Adam and Eve through the garden of Eden, to traveling with the liberated Hebrew slaves in a pillar of cloud an...